Language -- English -- Français -- Mi'kmaq -- Mohawk -- Kwak'wala -- Langue
Search Databases
MediaBase
CARD
Template  :  
Text Size  :  
Page Width  :  
Colours  :  
Set Large Text
Set Medium Text
Set Small Text
Paul Kane Watercolour - Ojibwe Cermonial Drum
Painted Cree Frame Drum
Cedar Box Drum
Frame Drum with 2 Snares
Octagonal Painted Frame Drum
Butterfly Painted Frame Drum
Ojibwe Frame Drum
Cedar Log Drum
Raven Wolf Drum
Halibut Drum
Dzunukwa Mask
Kwigwis Mask
Bakwas Mask
Deaf Man Mask
Nulamal Mask
Crooked Beak Mask
Baxbakwalanuksiwe Mask
Owl Mask
Ancestor Mask
Xwi Xwi Mask

Showcase of Dancers: Kanata Native Dance Theatre

The Kanata Native Dance Theatre is no longer in existence. Please visit the Kaha:wi Dance Theatre here.

By Michael MacDonald

In February, before I went to Vancouver, I attended the Ottawa/Gatineau Winterlude Celebrations. While I was walking around in the snow admiring the snow sculptures I heard some drumming and singing coming from one of the small stages in the ice-covered park. I walked over to the stage and saw a young woman doing a Fancy Dance on a small stage in the cold. For the next 30 minutes different members of the Kanata Native Dance Theatre, each in their own hand-made regalia, performed and explained dances for the audience. This group of young people performed a Fancy Dance, Shawl Dance, Jingle Dance and a Grass Dance on a small stage and danced to recorded music while the young woman, Naomi Powless, explained what the dance was about. She explained how the dances were used in Powwows and how their outfits were made.

Performing over 250 shows a year, the Kanata Native Dance Theatre from the Six Nations Reserve in Branford, Ontario is one of the busiest aboriginal dance/theatre companies in the country. Founded ten years ago by the New Zealand Maori artist Te Rangi Huata, the company has six to eight young people as members who come from Iroquois, Ojibwe, Blackfoot, Cree, and Lakota heritage. They have performed for audiences in Canada, the United States, Germany, Italy, Korea, and China. Naomi Powless has been a member and choreographer of KNDT for ten years.

"When I was small my parents and I would go to Powwows. My parents would set up as vendors and sell crafts. I would bring my shawl and dance, but only with my dad. I was too shy to dance alone. This was my first experience with dancing. I was never competitive though; I just liked to dance. When I was 12 years old I got into figure skating. I did that very intensely until I was 19. I got back into dancing at 19 and by the time I was 23 I was a member of KNDT. I had been a figure skating coach but gave that up to dance full-time. Dancing became a really important thing for me. The choreography work that I had been doing in figure skating gave me the confidence to dance in front of people on stage. The KNDT gave me the opportunity to take that experience and my traditional dances and perform them for people".

Even though Kanata Native Dance Theatre is based at the Six Nations Reserve many people from different reserves have come to join them over the years. The group is always learning more traditional aboriginal dances all the time and explain them to audiences that have never seen them.

"We perform dances from many different aboriginal traditions. Dancers that come and join us from outside of the Six Nations Reserve bring their own traditions with them. While they're here we learn from them and they learn from us. We train quite a lot. When we start to learn a new dance tradition we will sometimes travel to their home base and learn as much as we can. These cultural exchanges happen between people. We go and talk to their knowledgeable people and when we think we've got it down we perform it. A few years ago we learned some Aztec dancing and since then we've been training and performing it. It just happens though. We don't go looking for new traditions. When we come into contact with a dancer from a different place we learn about it".

Each of the dances comes to the group from a member of the group that takes the time to teach the members how it is done. Then once it is learned they come up with a way to explain it to the audience while it is being danced. A narrator is on the side of the stage explaining to the audience where the dance comes from, what the history of the dance is and what it means to the person that dances it.

"Most of what we do is traditional dance performance with a narrator, but we also have theatre pieces that we write and perform. We have one show that we only perform at the Woodlands Cultural Centre. When people come here they get to see something that can only be seen here. A big part of what we do is education. Too often people don't realize that we still dance our traditional dances. At one school in Scarborough a teacher thought aboriginal people were extinct. It's really surprising how many people have no knowledge of what happens outside of their towns. If they don't see it, then it doesn't exist. Part of what we do is travel around Canada giving people a chance to see it".

Even though a lot of what Naomi and the KNDT do is for education, it is also fun for the members and for the audience. She explains that there is freedom in the dance moves and that you can be yourself when you are doing it.

"Dancing is fun. It's one of the few times, especially with this kind of dance; there is no wrong step. When you're listening to the song, really listening to the song, your body knows what to do. It's your own time; it's just you and your song. We are taught that you dance for the Creator's enjoyment. It's also for the people who can't dance anymore. It's about the joy of dancing. That's why we can keep this group together for so many years. It's because we love it".

There is a time for fun, but there is also a time for seriousness. The KNDT lets the members travel to different countries and represent their homes. The dancers come from communities that have real problems. The dancers have the chance to tell their stories to many people around the world.

"We see a lot of different things too. When we were in Germany the mayor of every city we performed in wanted to meet us. At first we expect the same questions we usually get, 'Do you make your own regalia? ... Are the feathers real?' They didn't ask those questions though. These mayors were asking, ‘What is the water system like on the reserves?' and 'How does the traditional system of government differ from the national system?' We were treated like diplomats and spokespeople. It was really an honour and it was very empowering.

"In Germany we'd perform for two hours and after the show they would bring us back onto the stage and turn up the lights in the theatre and the audience would ask us questions. We had one person try to ask a question in our own language! It took a while to understand what he was trying to ask. It turned out that he learned how to speak our language from a book that was published by people from our reserve. That was a very odd coincidence. But it goes to show what you can do if you just work at doing something positive for your community. That's what we try to do. We're sure that telling our stories will help a little bit at a time".

   * * *

AFN logo Carleton U logo Cultures Canada logo Native Canadaian Centre logo Ojibwe Cultural Foundation logo Pinegrove Productions logo MUN logo Gorsebrook Institute logo Woodland Centre logo U'Mista logo Canadian Heritage logo Sumnergroup logo
This project was made possible with the support of the Department of Canadian Heritage through Canadian Culture Online



Valid XHTML 1.0 Transitional